Compton dr dre album cover hd full#

This kind of impressive production is found throughout the album and virtually all of the vocalists rise to the occasion, even Dre himself. The beat feels simple until Kendrick Lamar emerges and spits an obstacle course run of a verse, nimbly navigating his words through the instrumental’s many moving, flaming hoops. On “Genocide,” producer Dem Jointz collates airy synths and hollow scales that fade in and out between robotic grunts and spacey chimes. When Jill Scott murmurs “looks like it’s raining money, man,” the rain feels like a curse rather than a blessing, a destructive flood rather than a restorative storm. On the former, producer Cardiak samples Bone-Thugs’ “Foe the Love of $” and injects it with a sedative, bringing out the song’s tragic undertones. It’s hard to parse their individual contributions from the lengthy liner notes, but on songs like “For the Love of Money” and “Genocide,” some of the few songs with a single credited producer, there’s some striking production. Other feature artists also make hefty contributions, especially the guest producers. Similarly, on “All in a Day’s Work,” he stretches his voice to the limit, using his own strain to give lines like “I’m on my grind, fuck the part time” some additional strength.

On “Animals,” his raspy voice perfectly hits that delicate note between suffering and indignation, protracted pain and the thirst for vengeance. Paak’s appearances are particularly memorable. And the gateway on Compton leads to interesting places, lush compositions and adept performances. Dre has always been a pharmacist rather than a general practitioner, a gateway rather than a destination. Dre seems to be the only self he has access to. There’s nothing wrong with self-reference, but what’s striking is that the past Dr. Elsewhere, on “Issues” he alludes to being a member of N.W.A and on “Satisfiction” he alludes to “Gin and Juice” as if these are the highlights of his life. For instance, “It’s All On Me” begins as a reflection on his myriad pressures, but then it quickly becomes a strange Cliff Notes version of his history in the music business.

Compton dr dre album cover hd full#

Is he really giving up on Detox? Why? What is Detox at this point? A hard drive full of Game freestyles and Schoolboy Q choruses? How much does he bench? Is he still a Raiders fan? Does he like trap music?Īll of these questions are game for someone returning from a self-imposed exile, but throughout Compton, Dre focuses on his mythical origin story rather than how it all unfolded. It just feels appropriate to expect him to answer a few questions. Dre himself, but on Compton it’s hard not to listen for him. Hence, Compton,” Forgot About Dre” the album.įew people have likely ever listened to Dr. These successes are triumphs in their own right, but Dre still wants to trot on that treadmill of glory. He wanted his life to be a never-ending victory lap, his name to be eternally revered.īetween the releases of 2001 and Compton, he has mostly repeated the cycle he established between The Chronic and 2001, introducing the world to artists like 50 Cent, Game, Kendrick Lamar, and now King Mez, alongside making large amounts of money from audio technology. Between those releases he had launched multiple careers and a record label, as well as amassed a massive amount of money, but somehow he wasn’t satisfied. 2001 was released seven years after Dre’s debut album, The Chronic. Dre has been worried about his legacy since at least 2000, when his Grammy-winning song “Forgot About Dre” led the promotion of his album, 2001. Death is so terrifying to the ego that it will do anything to be remembered, even build a monument to itself in the desert, an environment where even the ground itself lacks permanence.ĭr.

More than just mocking it, Shelley reveals the ego’s obsession with its own fragility, its nagging anxiety about its ultimate fate.

This standard reading of “Ozymandias” works, but it can go deeper. In 14 concise lines, Shelley exposes the vast chasm between the ego’s aggrandized self-importance and its actual importance in the grand scheme of things. Percy Shelley’s poem “Ozymandias” is often read as a meditation on the absurdity of the ego.